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CONTEMPORARY ART meets GEOMETRIC METER
meets DIGITAL DESIGN

"my search for a classical form in the emerging medium of digital art" - harvey rayner

Archive for August, 2007

Bust? My Sacred Head Fat

Monday, August 27th, 2007

Self Portrait (My Sacred Head Fat)

This new piece kinda reminds me of a bust. It doesn’t have to represent a bust of myself, but I’ve given it the rather random name ‘My Sacred Head Fat’ until something more meaningful springs to mind.

Optical Art Background Tile

Wednesday, August 22nd, 2007

Optical Art Background Tile

If it doesn’t make you go blind this makes an interesting repeating background tile. I’m not actually setting out to make optical art, I’m more interested in this instance with the underlying family of ellipses. The tones I have used here come from a method I am developing to visually represent values in simple arithmetic patterns I am exploring. The result of this geekiness is quite fun. Or does it only feel fun for the geek?

Here is the URL to a slightly smaller version of this tile:-

http://www.root2art.co.uk/backgrounds/img/root2art_optical_maths_pattern.png

Feel free to use it for your blog or MySpace profile background, if this is your thing!

Arithmetica Art Pseudo Maths

Wednesday, August 15th, 2007

Arithmetica art

I’m looking for two things in my current work of which this is a small unripe fruit. I’m looking to see if any real maths in my head and also, I’m looking to create new artistic language that’s distinctly different from all previous root2art work. This last aim will only come out of a radical shift in subject matter which the first aim hopefully will provide.

One degree from ‘Three Degrees of Sculptual Integrity’

Sunday, August 12th, 2007

One degree from ‘Three Degrees of Sculptural Integrity’

This is a variation based on a sculptural work I designed about five years ago. I’m currently using it in a more complex 2d/3d/architectural beast of a project I’m calling ‘Three Degrees of Sculptural Integrity’. I haven’t included the rest as it is just too unresolved despite my having worked on it now for over a year on and off.

It was interesting to hear Anthony Gormley in interview on the world service a few days back. He concluded the interview by commenting that he had become ‘like an administrator of some strange school’. (or something like that). I believe he was referring to the fact that in order to maintain his international profile and produce his large scale installations his time was being consumed by administration and project management duties and he had little time for what he described as ‘play’. The word ‘play’ here meaning, real focused creativity.

This example supports my belief that recognition and wealth as a result of one’s art brings with it just a new set of restrictions and obstacles to creativity. Being somewhat underground my barriers to finding plenty of ‘play’ time are mainly working to pay the bills, raising our family and staying fit. Still I manage these things in such a way and apply the art of resourcefulness to give me a good 80% playtime from my time when I am not sleeping. This I reckon is pretty good. For me, organising shows, and even trying to sell and promote my work is just activities that eat into this 80%. This is mainly why I don’t bother. I have invested a lot of time in developing this site, but I see this as a direct extension of my work and a creative activity that enriches my output.

My point being I guess is this: whilst I remain an unknown entity in the larger art world it is probably much easier for me to focus on very ambitious (creatively ambitious not just large scale) work. I can still take risks as an artist. My work in mathematics and the new art that is starting to emerge from this for me is/was a huge risk. But then how much bigger this risk would have been if the weight of expectation was upon me. My immediate family and friends have always had the expectation that I should one day make an impact on the art world, but I’m so used to not delivering on this score in terms of success they can recognize, this kind of pressure no longer interferes with me. My sculptural project that is running along side my work in maths is, I believe, massively ambitious and this ambition is a consequence of and a contributing factor to working in isolation and obscurity.

There are many eminent artists around today who are making large scale ‘ambitious’ works. How many of these works however are just ambitious in the sense that they are big, expensive and resource thirsty. Artistic ambition for me has never been about these things but about how one organises one’s day to day life with a single-minded focuses on evolving art over months, years and decades.

Half Pi Art (from small animation project)

Sunday, August 12th, 2007

Half Pi Art

Detail from forthcoming animation

When Digging Into Some Mathematics One Day I found Some Art

Sunday, August 5th, 2007

Spiral Art From Mathematics

In this art i found some mathematics:-

I’m reminded here of the first line of the first poem I every wrote about my art work: ‘art derived from geometry: geometry derived from art’

Whilst I’ve created no great work of art or mathematics here I’m quite excited by this ‘thing’.

As bizarre as it may seem to us today: – until Pythagoras discovered the connection between musical harmonics and mathematics it was universally believed that there was no connection between the science of nature and numbers. Mathematics in ancient Greek times was a purely philosophical discipline. In fact it was also Pythagoras who was also believed to have invented the term philosophy. Mathematics today seems to creep into just about all subjects including art.

This last month I’ve been working mostly on a pure mathematics project. Hence not much activity here on my art blog. For centuries mathematicians have been obsessed with trying to find a pattern to the sequence of prime numbers in the number line. For what its worth here is my own completely intuitive feeling about the primes based on my own work in this area. Within the apparent randomness of the placement of the primes is a property like that of mind. As mind gives rise to an external world, and the external world gives rise to mind: so to can certain mathematical patterns be reflected in the sequence of primes, and simultaneously the primes can give rise to patterns in other mathematical entities.

This is a tough one to articulate! Trying again:- The primes have an ability to reflect and reveal certain seemingly unrelated patterns in mathematics, yet the primes by nature have no logical sequence that can be described in isolation from other mathematical ‘environments’.
I’m somehow invoked by the study of the primes into thinking about the nature of memory, mind and the memory properties of water. Not that I know much about these things. As I said, this is just an intuitive ‘feeling’ and I have no logical reasoning to support my dumb artist’s hypothesis.

If nothing comes out of my current project in the way of real maths, then I’m hoping I can at least get some good visuals.